Jewlery
material: nickel silver, iron wire, magnets
pieces: hand jewlery pieces, rings, belly jewlery piece
Amortize - a word of balance. The goal is zero. Plus. Minus. An act of equilibrium. The body as the center. I want to be the zero. Neutral. Content. Balanced.
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material: sterling silver
pieces: necklaces, earrings
Dynamics between 2 sides. Always two-track. Action and reaction. Parallels. following each other. Process of merging and drifting apart. Encounters. Paths that cross. Movement is necassacery. Further up. Further down. In balance with each other. In balance with one self. Long for Harmony. Long for inner peace.
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material: sterling silver
pieces: rings
a collection of simple rings. crafted from silver wire
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material: nickel silver, light sensitive photopaper
pieces: brooch and necklace
We tend to want to hold on to memories, photographs are attempts to materialize such moments. They become symbols of our memories. What makes photography possible is light. By using light-sensitive photographs, the light simultaneously becomes a destructive element.
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material: silver
pieces: necklace, earrings, rings
The concept of “What’s Inside” explores the contrast between interior and exterior. It plays with the resulting moments of visibility of the inner part revealed through the opening hinge.
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material: coffe filter electroplated with copper
pieces: face pieces, chest piece
When can i just be my “unfiltered” self? And why is so hard to do that?
About the feeling of having to wear a filter, that filters out the inapproriate, in order to fit into kategories and social structures.
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material: copper - silver plated, turmalin
pieces: brooche
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Object
The Sackkarre Kitchen is a collaborative project between my brother and designer Jasper O’Callaghan and myself. We both live in Pforzheim and share a passion for cooking and hosting. For us, food is a medium to bring people together, encourage exchange, and express appreciation. With this project, we want to use food as a way to show our appreciation for the city.
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material: glas, photo emulsion
pieces: 5 lenses, series of glas negatives, series of glas objects
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material: brass, PETg, wood
This project emerged from an exploration of the overarching theme of barriers.
By engaging deeply with the different sensory pathways of communication – hearing, seeing, and feeling – I developed a sculptural object that unites these three dimensions into a single form.
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Material: printed foil
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Material: brass, latex ballons
A frequently heard phrase is: „We live in our bubble.“ This statement sometimes serves as a justification, sometimes as a critical comment. Living in one‘s own bubble represents social and political isolation, in which we constantly breathe our own stale air, without fresh input from the outside and without confrontation. This leads to a restricted way of thinking and a limited understanding of the world.
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material: stainless steel, glass
pieces: a series of drink holders
A playful twist on Italian aperitivo culture: meet the Gimlet nel Gimbal—a drink holder that lets your hands do the talking. Inspired by lively piazza conversations and built on the mechanics of a gimbal, this interactive piece celebrates the beauty of social connection, expressive gestures, and the joyful chaos of post-work rituals. Drink steady, hands free—salute!
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Photography
material: wall-blotting paper printed and embossed, book-fan fold paper printed, analog
I passed by this wall by chance and was fascinated by the traces of plants left on it.
Only after I had walked away did I realize that it was the deportation detention center in Pforzheim.
It is a wall, a barrier.
This work represents the process of engaging with what this wall symbolizes.
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two installations created by the Feminist Work Group in Pforzheim and presented alongside a fashion show event of the collective cxd addressing patriarchal hierarchies and the male gaze.
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I occasionally take on commissioned photography work, though my focus lies in creating personal, conceptual pieces that blur the boundaries between image, object, and memory. Working primarily with analog film, each project becomes a quiet exploration of presence, gesture, and transformation.
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The work “go get some air” explores power imbalances within our society and the privileges that come with them. Taking a breath—getting air—is equated with the ability to pause from work and daily life. It symbolizes the freedom to breathe, as opposed to constantly gasping for air, struggling to survive at the edge of subsistence.
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This art piece takes the form of a small cabinet with drawers, each containing a photograph of the same cabinet placed in various everyday situations—on a bus, at a traffic light, in a bakery. The piece explores the concept of „thinking in categories,“ a mental process of simplifying, organizing, and compartmentalizing experiences an people.
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